Live in Aspen
Billboard No. 8 Live in Aspen week of Nov 2, 2024 - Traditional Classical Albums
“Sharon Isbin: Live in Aspen ”
- AllAboutJazz, 2024
“Sharon Isbin & Amjad Ali Khan: Live In Aspen ”
- Jazz Weekly, 2024
“Sharon Isbin Amjad Ali Khan LIVE IN ASPEN ”
- Making A Scene, 2024
“Twenty young composers capture the zeitgeist in Birmingham, plus the best of January’s classical concerts”
- The Telegraph, 2023
“Amjad Ali Khan review — ecstatic playing in an east-meets-west celebration ”
- The Times, 2023
“Soul Strings/Sarod to Guitar, Wigmore Hall, review: A perfect melding of East and West ”
- I News, 2023
Music For Hope
“AMJAD ALI KHAN, WU MAN, Amaan Ali Bangash, Ayaan Ali Bangash and Shane Shanahan ”
- Take Effect, 2023
- Gapplegate Music, 2023
“Amjad Ali Khan-Wu Man Music For Hope ”
- Jazz Weekly, 2023
- The New Indian Express, 2023
- Violinist, 2023
- Anne Carlini, 2023
- Jazz Quad, 2023
- Musicalmemoirs, 2023
- The JW Vibe, 2023
“BBC Proms 2022: Prom 45 Amjad Ali Khan at the Royal Albert Hall review: a gorgeous start to the day ”
- The Standard, 2022
“PROM 45: AMJAD ALI KHAN – SAROD MASTER | London, Royal Albert Hall ”
- The Prickle, 2022
“The 1975 and Amjad Ali Khan: The best of the week’s live reviews ”
- I News, 2022
“In Prayers EP, Amjad Ali Khan and Joe Walsh join forces to comfort a bruised world ”
- The Week, 2021
“NEW MUSIC BUFF ”
- New Music Buff, March 13, 2021
“REVIEW GRAVEYARD ”
- Review Graveyard, 2021
“He thinks of all the musicians in the world as being part of one beautiful family because they use common musical notes.. ”
- Albuquerque Journal (2014)
“Excellent Musicians... ”
- The New York Times, 2006 (Carnegie Hall Concert)
"From India, a Sarod Dynasty Represented by Father and Sons....both excellent musicians, who play with power and precision and can light up an audience with fast passages".
“Seventh generation of sarod virtuosos...”
- Chris Waddington, Nola.com, 2011
"Amaan Ali Bangash and Ayaan Ali Bangash are the seventh generation of sarod virtuosos from this remarkable family, and they are already putting their own stamp on the instrument. Both men focussed on the explosive rhythmic possibilities of the sarod, trading densely patterned improvised runs with each other, and demanding that the two drummers answer with blazing solos of their own. Though the sons never strayed from family tradition, their roaring performance had me thinking of guitarists such as Jimmy Page and John McLaughlin, who also soared in dramatic face-offs with drummers."